Photography / Yas
Make Up & Art Direction / Aya Fujita @ KOYUDO
Hair / Miha Oshima
Monday, November 21, 2016
Tor Lundvall | "Garden Path"
Tor Lundvall's "Garden Path" off of the album Violet Blue House, included in the new 5-disc Box Set: "Nature Laughs As Time Slips By". Video by Tor Lundvall. Available at http://www.daisrecords.com & http://www.torlundvall.com
Sunday, November 20, 2016
[EXCLUSIVE] "THE FIGUREHEAD" TRACK PREMIERE + THE BRVTALIST INTERVIEWS SOFT KILL FOR RENEERUIN.COM
2016 was a breakout year for a lot of projects,
but few could match the accomplishments of Portland post-punk act, Soft Kill. Active since 2010, the band (which now features founding member
Tobias Sinclair, Conrad Vollmer (Warm Hands) on guitar and Owen Glendower on
synths), came into the year on the heels of their acclaimed album, Heresy,
and seemly toured nonstop, adding to their already avid following and picking
up new fans every step of the way.
Just released on Profound Lore is Choke, the band’s third album and
perhaps the most lush and broad in scope. The record is a heartbreaking work of
melancholic bliss that sees the project descend deeper into the depths of
emotion and introspection. The eight song offering is a nice evolution of sound
and works as a perfect accompaniment to the current state of things.
The band is about to embark on a West Coast tour
and to mark the occasion, we have an exclusive track to premiere - “The
Figurehead” is a great Cure cover that the band re-interpreted and made their
own after recording Choke. We also spoke to Tobias Sinclair about the
past year, the new album and what’s next for Soft Kill. Please enjoy the track
and Q&A below:
-------
The Brvtalist: In 2016 there are few
bands I heard about more than Soft Kill. Whether it was touring, the last
album, etc., you were on a lot of people's tongues. Why do you think that is
and reflect a little bit on the last year.
Soft Kill (Tobias): I think we have a really
dedicated fanbase and up until Choke we had never done any kind of publicity so
any kind of love we were shown was purely word of mouth. Ever since we really
dedicated ourselves to touring things have significantly changed, it really
does prove you just have to work hard to spread the name.
TB: The track premiere is for "The
Figurehead". How did you guys decide on this track to cover? Also, would
you say The Cure is one of your biggest reference points?
SK: Cvlt Nation came to us with the highly
original idea of having current post punk bands cover an entire no-brainer
album. "The Figurehead" in my opinion is the greatest post punk song
ever written. After we recorded it Cvlt Nation flaked on including us in the
project so we decided to go ahead and get it out there for people. The Cure are
the most influential band in the genre, it's pretty impossible to escape their
influence but I wouldn't say we go out of our way to sound like them. I
actually asked my baby mama out on our first date while I was high on meth to
go see them this past year but she fucked that up second guessing and
overanalyzing it, she also had a boyfriend at the time but had entered IDGAF
mode and couldn't stop the forces of love aka I was destined to hit. It should
also be noted that Owen and Conrad did the bulk of the work on this song, all I
did was play bass and record vocals while holding a Pomeranian.
TB: "Choke" is your third album and
probably the most layered. Would love to hear your thoughts on the evolution of
your sound and did you approach Choke any differently than “Heresy” or "An Open Door"?
SK: ”An Open Door" was some fools high on
dope trying to be Magazine and Wire. "Heresy" was the only remaining
idiot trying to process the death of three close friends. A lot of life had
been lived in the four years between those two records, at least one of which
was spent doing pushups and eating soups alongside the Mexican Mafia. This kind
of started the process of me realizing I had to get sober regardless of how
much effort I was actually willing to give to that. "Choke" opened up
the door to that being a reality, via collaborations with my two best friends
and longest running bandmates, Conrad and Owen. Instead of writing songs on a
8-track we would pick up guitars and endlessly riff until things fell into a
groove, which birthed half of the material on the album. The only reference point
in making those songs is that we wanted ta guitar heavy album, like a post punk
version of The Strokes "Is This It?".
TB: You're about to embark on a big West Coast
tour? Are these the final dates of the year and how do you want to close things
out?
SK: We are heading out with All Your Sisters
starting December 1st and this will be the last thing we will be doing for a
few months before I welcome my first child into the world this April. We are
planning on some dates with Draa right before summer next year. We will be
doing some dates with Chameleonsvox in September 2017 in Europe either right
before or right after that.
Thank you to Tobias for the great responses and
be sure to catch Soft Kill and All Your Sisters (which just released the great
“Uncomfortable Skin” in a city near you.
TOUR DATES:
The West Coast's best in dark music team up to burn down the world for two weeks straight.
All Your Sisters recently dropped "Uncomfortable Skin" and Soft Kill are touring in support of their release "Choke" out now on Profound Lore.
12/01 - Riverside, CA - Aurea Vista**
12/02 - Sacramento, CA - Starlite Lounge**
12/03 - Oakland, CA - Matinee Show- The Night Light
12/04 - Los Angeles, CA - The Echo / Part Time Punks
12/05 - Tempe, AZ - 51 West w/ Draa
12/06 - El Paso, TX - The Monarch
12/07 - Austin, TX - SideWinder w/ Street Sects & Future Blondes
12/08 - Houston, TX - Notsuoh
12/09 - Dallas, TX - RBC
12/10 - Tulsa, OK - Downtown Lounge w/ The Secret Post
12/11 - Denver, CO - Meadowlark w/ Tollund Men
12/12 - Salt Lake City, UT - Urban Lounge w/ Sculpture Club
12/13 - Boise, ID - House Show!
12/14 - Portland, OR - High Water Mark
** w/o AYS
Friday, November 18, 2016
WOUNDS VOLUME 1 DIGITAL E-BOOK NOW AVAILABLE!
32 pages of original writing, musings and prose by Renee Ruin
Cover features original artwork by artist Heather Gabel
Missed out on a printed copy? Don't despair, you can now order a digital version straight to your email address in pdf format!
"Each poem of Wounds remains untitled, unnamed, but belonging, mirroring each colliding content of Wounds somber tones. Renee traps words in sweethearts, every word of the second poem in this persistent, penetrating voice that watches 'every street on your way home' and steals glances in your car window. A sign off 'Take care, sweetheart. Play fair, sweetheart.' called me back time and time again, 'Living different lives in empty beds.' resonating obsession to strength."
------------------
"A dark, visceral collection of poems and lyric prose — devoured in one sitting. Renee Ruin's writing is at once incredibly personal and incredibly relatable if you, too, think and love with a violent intensity. It's clear this is the kind of author that sees the act of writing as exorcism... Wounds is a wonderfully raw little grimoire."
------------------
"Something about Wounds is so profoundly personal, you can feel the blood drip from the pages. Writing it, and publishing it, was an act of sacrifice. What separates Wounds from any other poetry anthology is the fierce resistance of the tone and the blistering pain that jump at you from the pages, seeking an echo, launching into your heart and soul to find a kindred spirit. Wounds is the courage we never thought we had, to explore such raw emotions and expose them bare. It's no longer fearing fear itself. It's building strength on failure. It's building confidence on missed opportunities. The first read-through is difficult: it makes you look at who you were three, five, ten years ago, or even just yesterday, realising you are a full-fleshed human with its own set of shortcomings, its own experience of unrequited love and abandon..."
Subscribe to:
Posts (Atom)