METAL MOTHER // 'PRIS'

"Pris" is the first single from the forthcoming “Pagan Jazz,” the new 5 song EP by Los Angeles-based Metal Mother due out June 1st. 

“Pagan Jazz is inspired by and written for the warehouse party world and all the absurd and whimsical fairies it attracts.” Timberman says. “It’s a melancholic dance record”. It’s also some kind of acid drenched surrealist synth creation that beckons, but the kind of beckoning that only comes from the pearly gates: you’ve been invited because you’re dead. It’s dark, electronic, and machine heavy, but at the same time familiar, vulnerable, and motherly."

Photo © Carolyn Crafty 

Carve me from stone 

Take me, take me home 

I have the body, and you have the face 

It doesn’t need to be so complicated 

I’m tied up, can’t get down 

You’re fired up and chasing your conscience around 

Can’t give up, not now no we’ve 

We’ve gotten this far 

We’ve grown up like overnight 

I seen how your presence can cut through the light 

But I forgive, and I don’t fight, I 

I still heal you 

Stop trying to be sexy stop trying to be cool 

Stop trying to be so goddam fabulous all the time 

Pass me on the street 

You find me something to eat 

I am not salty and you’re not sweet 

Perhaps it’s tasty enough 

Bound to bind me 

I’m tied up cant get down 

You’re fired up and chasing your conscience around 

Can’t give up not now no we’ve 

We’ve gotten this far 

We’ve grown up like overnight 

I seen how your presence can cut through the light 

But I forgive, and I don’t fight I 

I still heal you 

Stop trying to be sexy stop trying to be cool 

Stop trying to be so goddam fabulous all the time 

How did the blankets get so complicated 

Memories, you’re talking about memories 

I’m tied up can’t get down 

You’re fired up and chasing your conscience around 

Cant give up not now no we’ve 

We’ve gotten this far 

We’ve grown up like overnight 

I seen how your presence can cut through the light 

But I forgive, and I don’t fight I 

I still heal you 

I’m tied up cant get down 

You’re fired up and chasing your conscience around 

Can’t give up not now no we’ve 

We’ve gotten this far 

We’ve grown up like overnight 

I seen how your presence can cut through the light 

But I forgive, and I don’t fight I 

I still heal you

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http://www.metalmother.net

https://metalmother.bandcamp.com

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WHITE WEDDING // Interview April 2018

By Miguel Enamorado

Photography Victor Demarchelier

Haunted Horses // Cold Medicine

Haunted Horses is an industrial-punk duo hailing from Seattle, WA. Their sound is thunderous and chaotic, utilizing wall of noise techniques through an onslaught of keys, guitars and drums. Myke Pelly's off kilter drumming and Colin Dawson's architectural noise structures create jittery post-punk that is both upbeat and gloomy. The bleak vocals are persistently ominous in a seductive way, conjuring up the nightmarish aura of a dissonant horror-film soundtrack. The band has not lost control of their uncompromising industrial vibes since their revival in 2017, continuing to embrace rock experimentation and electronic layers.

Keys/Guitar/Vox: Colin Dawson

Drums: Myke Pelly

https://voidassaultrecords.bandcamp.com/

https://spookyponies.com

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Model/Muse : Soledad Miranda

COLD CAVE // You & Me & Infinity

You & Me & Infinity is the new EP by Cold Cave available digitally and on 10” picture disc vinyl. Cold Cave continues to perfect their own brand of dark synth pop that manages to sound retro and futuristic at the same time. Four romantic existential anthems for the disenchanted daydreamers, including the glimmering pop tune Glory. Mixed by Chris Coady (Beach House / Slowdive) and mastered by Bob Weston.

You can purchase the EP digitally on Bandcamp by clicking here or on iTunes by clicking here or on Amazon by clicking here.

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Tickets for our North American tour are on sale now. You can purchase tickets Here.

Jesse Draxler: Misophonia

Art show up May 31st through June 3rd

Misophonia: A 200-page master collection of poly-dimensional artist Jesse Draxler’s work throughout his career to date. Misophonia incorporates various mediums and styles from figurative painting and harsh typography to deliriously textural photography and collage.

Jesse Draxler has been exhibiting his black-scale canvases and moon-sick reality-collages both nationally and internationally since 2012. He is privately collected around the world and his most recent solo exhibition "Tire Fire" took place in September of 2017 at Booth Gallery in New York. As an illustrator his client list includes The New York Times, McQ Alexander McQueen, The Atlantic, and The New Yorker, among others. He is also an active member of his music community, and has created work for musicians like Zola Jesus and Chelsea Wolfe, and designed an album cover for Prince.

http://jessedraxler.com